When I launched this blogging project, I imagined that I would be able to create a digital space to stash anything and everything that I was passionate about. Writing has always been my favorite and best talent, so that was obvious, but I left everything else up to the passing moments of inspiration I experienced. I have kept the blog in the back of my mind at all times, and because of this, I know it has affected the way I see the world.
What I could not have predicted as a result of this project was the amount of time I have spent thinking critically about photography. I have flip-flopped with my views towards photography over the past few years, ranging from my seventeen-year-old self who strove to capture as many images as possible in my travels to my twenty-year-old self who rejected many forms of social media and rarely pulled out my phone to take a quick snap. When I was first stepping out into the world on my own, my camera was a way to notice, remember, and quantify my experiences spatially and visually. Later, I became fixated upon a speech by Jonathan Safran Foer, in which he explained to the Middlebury Class of 2013 the dangers of being satisfied with “static memory” – a quick snap when receiving a diploma, for instance – as opposed to “living memory” – which requires an emotional engagement with real life and a knowledge of the possibility of forgetting that memory or having it change over the years. Foer distinguishes between these two types of people, or styles, Both phases were learning experiences for me, and now I think, like anything else, that there needs to be balance and mindfulness in my commitment to photography.
One quote from Foer stands out to me about quality photography: “Clearly some photographs can have tremendous value: those that have the ability to draw us into the experience. These I believe are usually taken by photographers who manage to use the camera to heighten their own presence in the situation. On the other hand, a cell phone photo of someone crossing the stage is a meaningful symbol of the graduate’s achievement and the photographer’s pride and support, but it cannot capture the experience of the day, and more, it detracts from the experience of the day… The more our cameras can do, the less possible being present becomes.”
I believe it is essential for me, and all of us, to continue to ask ourselves why we do what we do. It is easier than ever to snap an iPhone picture, to remove ourselves from the present moment by checking Instagram, or to recuse ourselves from the emotional commitment necessary to achieve “living memories.” But I also see value in mindful photography – not necessarily good photography, but a step above a mindless cell phone snap. My photography has certainly improved due to this blog, and I have enjoyed attempting to heighten my own presence in the various situations and adventures about which I have written through the images I choose to share.
Here is the link to my Captures page,
where I have archived my favorite photos dating over the past year.
Endnote: I also learned a lot about photography at Abbensen from my co-leader Luke, who is an aspiring photojournalist and has a wonderful knack to be in the right place at the right time, camera ready. I watched him make photography so much fun, not only for himself but the people involved. He inspires me to keep exploring the art, adventure, and human connections wrapped up in the practice. He also gets photo credits for the cover image of this post. To Luke, thank you.